Monday, August 25, 2008

World History

Pre- and Ancient History
4th and 3rd Mill's B.C.
oral tradition (myths, folktales)
archetypes
writing
Neolithic revolution
cultural diffusion
monotheism and polytheism

Classical History
2nd Mill B.C. - 1st Mill A.D.
rationalism
idealism / realism
democracy / republic
philosophy / atheism
Hellenism


Currently studying...
Medieval History
1st-2nd Mill A.D.
feudalism
Christendom
chivalry
Crusades / Islam
mercantilism


Renaissance
2nd Mill A.D.
rebirth / neoclassicism
humanism
secularism
exploration (Columbian exchange)
Reformation

Ascension / Revolution
Latter 2nd Mill A.D.
Enlightenment
romanticism
social philosophy (salons)
East-West connection

Book Clubs

Why book clubs?
SCS has a tradition of asking students to maintain a reading habit outside of class, and this will be our format. I've chosen the club format because it's fun and realistic. Book clubbing is popular and worthwhile.

Guidelines for forming your club:
On a scale of 1-5, how serious a reader are you? As you form your club, I recommend that you team up with friends whose "serious reader rating" is near your own. Your club selections will be permanent! Also, consider where your friends live and what kinds of schedules they keep, because you will have to schedule one meeting per quarter outside of school. You are also welcome and encouraged to include your parents.

What your meeting will look like:
Plan your meeting at a member's home, a coffee shop, the library, or even a restaurant. It's a social occasion that doubles as study time! You might opt to match your event to your book, like having English tea and scones with your Shakespeare. Be creative! Your meeting must be at least one hour long, with most of that hour devoted to discussing the book. You will elect a secretary to take notes on the discussion questions as assigned (you can trade off on secretarial duties). You must use a book club reporting sheet and submit by the due date.

Grading:
Book club credit will be 30 points based on club reports. Excellent answers reflecting a lengthy, eager discussion of assigned questions will earn an A for all team members present. Accurate but short or sloppy responses will earn a C for all team members. I will not assign B's for book club -- acceptable effort will be deemed either average or superb. Furthermore, only members present at the meeting will earn credit; absentees may earn a D for having read the book but not attended the meeting. Also note that a school lunch period or study hall are not sufficient to meet the time requirement (one hour) nor is the venue sufficient to meet the requirement (outside of school).

First Quarter -- Christian fiction / Due date T.B.A.
OPTIONS: Stephen Lawhead sci-fi/fantasy novel, G.K. Chesterton Father Brown mystery or other, any 2 C.S. Lewis Narnia books, Madeleine L'Engle's A Wrinkle in Time or sequel, The Shack, any George MacDonald novel intended for adults, or Blue Like Jazz by Don Miller (not fiction, but largely narrative).

Second Quarter -- Western classics / Due Jan. 16
OPTIONS: The Count of Monte Cristo (French), Les Miserables (French), Don Quixote (Spanish), Crime and Punishment (Russian), The Lord of the Flies (English), The Once and Future King (English), A Midsummer Night's Dream (English), The Adventures of Tom Sawyer (American)

Third Quarter -- Club choice / Due March 30
OPTIONS: no adolescent lit, minimum 150 pages, fiction or nonfiction

Fourth Quarter -- Non-Western fiction / Due date June 5
OPTIONS: The 1001 Nights (Arabian), The Good Earth (Chinese/American), Iron and Silk (Chinese/American), any Amy Tan novel (Chinese/American), Pagoda, Skull and Samurai (Japanese), Siddhartha (Hindu), A Tiger for Malgudi (Indian), The Kite Runner (Muslim), A Thousand Splendid Suns (Muslim), The Alchemist (Brazilian)

Be a Better Reader

If you're struggling with your reading assignments -- not doing well on reading quizzes, for instance -- then you need to stop and think about a new strategy...

TIP #1
Know your best reading pace and environment. Go ahead and give yourself a little reading test: set yourself up with a book and set the timer at 30 minutes. See how many pages you can comfortably read. Try this out with 2 or three different types of reading to see what the difference is. For instance, you might find that you can breeze through 20 pages of a good novel in half an hour, but only 10 pages of your science textbook. Also, be honest with yourself about the reading environment you need: dim or bright lights; silence, white noise, or music; cold or warm temperature; laying down or sitting up; long hauls or short sessions with exercise/snack breaks; reading aloud or silently. Know yourself and plan well for upcoming due dates.

THE "SLOW READING" TECHNIQUE: We've been modeling this in class and quiz scores are going up! Simply read one sentence at a time and then paraphrase it, incorporating any available footnotes into the paraphrase and avoiding any pronouns (say the characters' names). For aural learners, this should be done aloud. If this pace is a little too slow for you, try one paragraph at a time.

TIP #2
Know something about genre and audience. As already mentioned above, your reading speed may vary for different types of text. Indeed, different types of text will demand different skills in comprehension, interpretation, and recall. Get in the habit of recognizing the genre of your reading material before you begin reading it: factual versus imaginative, narrative versus nonfiction, written text versus performed text, poetry versus prose, etc. You should also know a bit about the intended audience of the text. Was it written for your age group? Was it written for a foreign culture? Was it written for a past time period? All these issues will impact the difficulty of what you're about to read and how you should "angle" yourself to receive its message clearly.

TIP#3
If you're reading narrative, your job is to get to know the characters and find out what they did and why. A great way of making sure you're following the most important points of the story is to write down a "Who-What-When-Where-Why/How" summary after each reading session you perform, perhaps after every chapter. At the very least, keep a "Who" list of character names and ID's. The"What" segment will be plot summary. The "Why/How" part gets you thinking in a higher Bloom level, which is the ultimate goal for readers. You might do a "WWWWWH" list at the end of each reading session. If you're a visual learner, keep it especially neat and organized.

TIP #4
If you're reading prose nonfiction, your job is to get new information "filed away" into your brain so that you can access the "files" later.
1)Look for new terms. Consider underlining or highlighting them.
2) Look for "chunks" of information. Group your notes into categories on the page so it feels like you're learning 3 sets of 5 facts rather than 15 unrelated, rambling facts.
3) Look for ways the book emphasizes information - repetition, bold text, etc. Underline or "star" these ideas in your notes. The beginning and ending ideas of the chapter or essay might also be clues to emphasis.

TIP #5
If you're reading something poetic, you must prepare your brain cells for imaginative and artistic thinking. How do you know it's poetic? It might look like poetry, with short lines and patterns. It might sound like poetry, with repetition and alliteration. It might feel like poetry, with a focus on the senses, particularly images. And it might "think" like poetry, if the statements can't be properly understood in a literal way. Once you've recognized your text as poetic, you must open the door to figurative interpretations. You should also consider reading the text aloud, letting your voice shape the words in a musical, emotional way. Where poetry is concerned, art and imagination are central to "getting it."

TIP #6
If you are not the originally intended audience, you must give the text some extra time and some extra context. In reading Shakespeare, recognize that you are living 400 years down the road, and you will need footnotes along the way. In reading the New Testament, find out something about the churches to whom the apostles were writing. In reading foreign literature, learn something about what the target culture expected in a work of literature. It will take some effort to get yourself into a place where you're ready to receive the "gift" originally wrapped up for a different "recipient."

TIP #7
Beginnings and endings are big keys to meaning. Regardless of what type of text you are reading, review the introduction and conclusion before you close the book. In the first and last words of a complete work of literature, you might find main ideas, point of view, important images or motifs, central themes, or implied instructions to the reader. ALSO: When you need to skim your reading, the best speed strategy is to read the first and last sentences of each paragraph.

TIP #8
If you feel like you are struggling as a reader... you might want to supplement the above methods with some learning-style strategies. For instance, a visual learner could make a chart or re-copy notes with colors and illustrations. An aural learner might need to read text and notes aloud, do slow reading out loud, or summarize what you read to a partner; you could also read along with a recording of the book, if available. Kinetic learners might respond well to rhythmic repetition or an active study technique like using flashcards; you should also get a little exercise before reading (to avoid feeling fidgety) and break your reading sessions into 20-30-minute chunks with movement or snack breaks. Every brain has the capacity to read!

Monday, August 18, 2008

Stories and Songs Around the World

Why focus on "stories and songs" in a world lit class? Because human beings have been telling stories and singing songs since the beginning. I imagine Adam told bedtime stories to Cain and Abel...

"Boys, did I ever tell you about the day I tried to come up with a name for Elephant?"
"Aw, Dad, not that one. Tell us the scary story again, about the snake!"
"And how God told you he would send someone one day to come back and crush his head!"

And then Eve would come in the cave and sing them to sleep. Perhaps it went something like this...

"In the beginning, God made the earth,
and it was good,
and it was good."

Seriously. Look at Genesis One and see if you don't find all the elements of a good song: rhythm, repetition, imagery, mood... it has a good beat and you can dance to it!

Literature came into being as soon as human beings learned to talk. In fact, the first words uttered by humankind in the Bible -- when Adam first sees Eve -- well, they are a poem. Take another look. It's not a simple statement of fact; it's artfully repetitive, richly emotional. I can almost hear Adam gasp with amazement and love. Yes! The first love poem!

As students of world literature, we start at creation and branch out from the cradle of civilization, geographically and chronologically tracing the stories and songs of early man. Our first stopping point will be the Sumerian epic of Gilgamesh, written down even before Genesis was. Then, on to praise songs of the Egyptians and myths of the early Greeks. We travel around the world to sample Middle Eastern folk tales and Asian wisdom poems. From each culture, we will select stories and songs that let us know what was going on in the minds of past cultures. How were they similar to us in their humanity? How were they different from us in their lifestyle and beliefs? Why does every culture on earth seem to tell stories of great heroes and sing songs of great yearning?

The proposition of this course will be that God designed it that way. God himself is the master storyteller, the "author of our faith." Did you know that more than 75% of the Bible is narrative? And, God is also the supreme poet. The most powerful passages in Scripture have poetic elements, rendering them with a higher purpose than simple everyday utterances. Even non-Christian scholars are amazed by the unity, complexity, and artistic excellence of the Bible. It is my central goal in this class that we inspire young people to sit up and take notice of the spiritual power of literature, as a reflection of the character of God. In doing so, we will see the beauty of God's Word, the power of the Christian story, and the importance of using language to God's glory. I invite your prayers as we explore the divine magic of stories and songs together in 10th Grade World Lit... hopefully it will become a lifelong habit.